![]() ![]() ![]() ![]() My method for getting a dub cut from a dub or vinyl rip is.ġ) Get yourself a Shure M97圎 cartridge for your 1200. They also have cutting heads for acetates. The cutting heads use different technology to traditional lathes as vinyl is harder than acetate etc. The vinyl lathes are actually just bolted onto a Technics 1200 and they cut on that. Music House and Transition would need the correct cutting head on their old lathes to cut vinyl. I cut vinyl now if at all, I want them to last and they sound fine to me. record it best you can send/take'em the file or can you take the actual dub to them ?" Whats the best way to cut a dub from a dub ?. "Interesting thread, had no idea so much cutting was going on in 2014! Is everyone getting actual acetates or vinyl dubs cut ? do musichouse or transition do vinyl dubs or just acetates ? After that they get increasingly noisy and loose their top end, but they really will take some serious battering before they are unplayable. They will still cut whatever you give them, but don't expect there to be any dynamics if you give them a brick walled or distorted wav - they can't work that kind of miracle.Īcetates sound astonishing when well cut for the first play or so, dead quiet surface and good sound. The real mastering needs to be done by the cutting engineer when he cuts the dub with his 1000s of pounds worth of equipment and expert hearing. If you try and cut that it will sound even more shite. This often means somebody has brick walled it or distorted it and it already sounds shite. ![]() This is because CDs / wavs / mp3s are usually mastered as loud as possible to compete with everything else out there. The BEST possible quality would be if the bought wav had as little mastering done to it as possible, preferably unmastered. Shipment of the final product will be after the payment."cutting from a mastered source will be the best possible quality" We accept b ank transfer, Paypal or cash. Mixdown delivered as 24 bits WAV file or tape.įor every other project, like a nalog enhancement, m usic production, a rrangement or s ound design contact us to explain your idea and get a detailed quote. Possibility to record the mixdown on tape. Including EQing, dynamic processing, level balancing, denoising, reverb and other processing. Mixing service, realized according to your requests and needs, using high-end a nalog equipment and top class plug-ins.Īudio mixing with high-grade analog outboard and digital plugins. Vinyl Dubplate CuttingĬutting on real vinyl (PVC), same quality and durability of pressed records.įrom any source format: digital files (wav, aiff or mp3), cassette, 1/4" Tape, CD or DAT, including optimization for vinyl.Ĭheck the Vinyl Dubplate page for more info and tips to get a great sounding record. If you have an EU VAT number or you live outside Europe we don't need to apply VAT. If physical media is required, the recorded cassette is sold for 5€.Īttending the session in the studio and be part of the process.ĬD pre-master, needed for CD pressing. Master recorded on Metal or Chorme cassette, for punchy and warm sound.Ĭharged per minute of music recorded, digitization included. Master recorded on 1/4" Tape with a Telefunken m15a, adding warmth, brillianceĬharged per track, digitization included. If necessary, one free review is included.Īudio restoration and mastering, including recording from the original format: vinyl, tape, cassette, DAT, MiniDisc etc. Stem mastering with high-grade analog equipment. Shipping costs to be agreed.ġ0% extra is applied for cutting only projects. This price is for the cut only, the mastering process is not included. If necessary, free reviews until satisfation are included.ġ0% discount on digital only albums over 8 tracks. Optimized for every format: v inyl, digital, cassette, streaming, CD.Īudio mastering with high-grade analog outboard.ĭelivered as WAV file in two formats, e.g. Mastering service with high-end a nalog equipment. ![]()
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