![]() The breakthrough for The Peddlers came when they secured a gig at the Pickwick Club, a private club in the West End where actors gathered. “I can play a bit of solo but more in the Chet Atkins style,” said Phillips. With friends like Blackmore and Albert Lee, it was time for Phillips to find another instrument. My buddy in session work in those days was Ritchie Blackmore, he used to do all the fancy stuff.” (Blackmore later co-founded Deep Purple.) Phillips is candid about why he gave up guitar. “Joe would have a shotgun on the table and he’d start acting out a wild west thing.” “It got freaky, black magic, pills,” recalls Phillips. The producer’s behavior went from eccentric to crazy as the 1960s progressed. They had to follow Meek’s non-musical, unorthodox instructions to earn their £7 session money. ![]() If you could get it, recording session money was important for a gigging musician and Phillips and Martin continued to work with Meek. In those days every group had a singer out front and the group that became known as The Peddlers were still looking for the right guy when they took to the stage with Phillips on vocals. They were a trio looking for a singer to fill the gap in the front middle of the stage. In 1964, Phillips and Martin met drummer Trevor Morais in Manchester. The Saints recorded several singles for Meek but when Heinz left Meek in April 1964, he left The Saints behind. Roy Phillips was on guitar and future Peddler Tab Martin was on bass. In early 1963, bass player Heinz Burt left The Tornados and Joe Meek put together The Saints to back him. In 1962 Meek had the massive worldwide hit ‘Telstar’ with The Tornados. As a teen he played guitar in the Bournemouth group The Soundtracks, who backed local Everly Brothers style duo The Dowland Brothers, who attracted the attention of London producer Joe Meek. The sound of German planes remains a very early memory for him. Roy Phillips was born in Parkstone, Dorset. British DJ Norman Jay MBE included ‘Lost Continent’ by The Peddlers on his 2017 compilation LP, Mister Good Times. In 2013 their track ‘On A Clear Day’ featured in a climactic meth-lab scene on Breaking Bad on Record Store Day 2019, it was reissued on a vinyl single. But in the 21st century they fit into many categories including lounge, soul-jazz, mod and rare-groove. Please downvote if incorrect! Self-deletes if score is 0.In the swinging sixties The Peddlers did not fit easily into any one category of music, as they were not strictly rock, pop or jazz. ![]() Last.fm: 39,130 listeners, 222,598 plays tags: jazz, lounge, funk, pop, jazzy Morais left the trio during an Australian tour in 1972, and the Peddlers disbanded in 1976. Following Birthday, the Peddlers returned to Philips. The third and final CBS album, Birthday, followed in 1969, and brought the band two UK Top 40 singles in 'Girlie' and the title track. The follow-up, 1968's Three In A Cell, included a downtempo version of 'On A Clear Day (You Can See Forever)', from the 1965 musical of the same name, which was later heavily sampled for its bass and hammond organ riff. ![]() That year they released the album Freewheelers, consisting of standards sometimes adventurously arranged by Keith Mansfield (composer of the Grandstand theme tune, amongst others). The trio released six singles and an EP on the Philips label before joining CBS in 1967. Martin, the bassist, and Phillips, on vocals and keyboards, had both been in The Saints and The Tornados Phillips had also been with The Soundtracks. Morais, the drummer, had previously played with Faron's Flamingoes and Rory Storm and the Hurricanes (who had struggled to replace Ringo Starr after he had left to join The Beatles). The Peddlers formed in Manchester, UK in 1964 as a trio of Trevor Morais (born in Liverpool, 10 October 1944), Tab Martin (born in Newcastle upon Tyne on 24 December 1944) and Roy Phillips (born in Parkstone, Dorset on ). ![]()
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